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ANNA
GLADKIKH

Production Artist

MY WORK

Expert production artist and adaptive designer with 20+ years bridging creative concepts with print requirements across CPG, beauty, automotive, and pharmaceutical. Fluent in litho, flexo, and gravure pre-press; adept at managing large-scale SKU roll-outs while maintaining brand consistency and mechanical accuracy. Proactive, resourceful, and calm under pressure.

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SKILLS

Expert level in
Illustrator, Photoshop, InDesign, Acrobat, Blender, KeyShot

Solid knowledge of CFIA/FDA and packaging industry regulations

Extended experience in pre-press for litho, flexo and gravure printing

Great focus on brand and its requirements, as well as mechanical accuracy of the artwork

Successful QC utilizing ESKO Backstage Pilot and Kodak InSite Desktop Smart Review

Highly adaptable with the willingness to experiment and learn

Strong typography
and layout,
master of maintaining consistency within large scale roll-outs

Well organized and trustworthy, working well under pressure

EXPERIENCE

SENIOR PRODUCTION ARTIST -
JACKMAN

remote
10.2025 - 06
.2026

• Brands: Lipari

• Adaptive design, dieline build, brand management, NFT update

• Timely delivery of pre-press–ready art for large 50+ SKU family roll-out

ADAPTIVE DESIGNER -
Marks/SGS & Co.

New York, NY/Toronto, ON/hybrid
12.2022 - 09.2025 

• Brands: Pepsi, Mountain Dew, Lipton, Starry, Starbucks, Brisk, PureLeaf, Rockstar, SodaStream; Nestlé/Purina, Gerber, Amazon

• Adaptive design, NFT update, GMG proofs, 3D renders

• Swiftly mastered brand requirements and two new 3D programs; delivered consistent quality across high-volume accounts

PRODUCTION ART MANAGER -
GLENN DAVIS GROUP

Mississauga, ON/remote
04.2020 - 10.2022

• Brands: EFFEM Foods, Bellisio, Campbell, Downeast, Maple Leaf, Olivieri, Scotts, Dole

• Production art, NFT update, mock-ups and GMG proofs; coordinated PA workflow across a remote team

PRODUCTION ARTIST - LOBLAW
Mississauga, ON
01.2019 - 03.2020

• Brands: No Name, President's Choice, PC Blue Menu, PC Organics, Life Brand, Rooster

• Timely roll-outs and pre-press for in-house NFT update across multiple private-label brands

PRODUCTION ARTIST - PIGEON BRANDS
Toronto, ON
01.2018 - 01.2019

• Clients: Tim Hortons, IKEA, Maple Leaf, Kraft/Heinz

• Production art, NFT calculations, catalogues, POP, promotional materials, PR kits, mock-ups and GMG proofs

• Maintained branding consistency across all mediums; applied print production expertise in a design-studio environment

SENIOR PRODUCTION ARTIST -
SGS & Co.

Toronto, ON
10.2016 - 12.2017

• Clients: Imperial Tobacco (ITL), Acorn Packaging, Simmons

• Production art and Health Warnings for ITL; 3D mock-ups; pre-press for Simmons and Acorn (CT/vector trap, min dot, GMG proofs)

• Updated workflows to ensure maximum consistency and accuracy across large SKU groups

SENIOR PRODUCTION ARTIST - Optium/Transcontinental
Aurora, ON
05.2011 - 10.2016

• Clients: Canadian Tire, Peel Plastics (Earthborn), Maple Leaf Foods

• Brand manager for Mastercraft/MAXIMUM, For Living, and Yardworks; production art for Maple Leaf including CFIA QC

• Led successful new branding roll-out; resolved pre-press and layout issues while maintaining consistency

ABOUT ME

Over the course of 20+ years in production art, I have worked on all three sides of the packaging industry — agency,

printer, and client. Each operates with its own priorities and pressures, and having built my career across all three has

given me a perspective I draw on every day: I understand what a press operator needs from a file, how a designer approaches a brief, and what a brand team requires to move confidently through approvals.

A particular strength of mine is architecting master templates and worst-case scenarios that allow entire SKU families —

across formats, sizes, dielines, and flavours — to be rolled out with both speed and consistency. This approach protects brand equity at scale, minimises errors downstream, and keeps complex projects on track. 

I take pride in building strong working relationships and in understanding what each member of a team does best.

Collaboration is what separates a good result from a great one — and I bring that mindset whether I am leading a project or contributing as part of a larger group. Having been brought back to SGS across three separate tenures is something I am proud of, and it reflects the kind of long-term professional relationships I aim to build.

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